Odisha State Board BSE Odisha 9th Class English Solutions Non-Detailed Chapter 1 The Trunk of Ganesh Textbook Exercise Questions and Answers.
BSE Odisha Class 9 English Solutions Non-Detailed Chapter 1 The Trunk of Ganesh
BSE Odisha 9th Class English Chapter 1 The Trunk of Ganesh Questions and Answers
Introduction :
The story “The Trunk of Ganesha” is based on superstition that is prevailing in our society. Some people in our society are prone to superstitions. They are often affected by this and suffer a lot. The present story is about the mysterious breaking of the trunk of Ganesha which was made by Gobinda Maharana, a simple and innocent idol maker. He as well as his family members were confused about this incident. But at last the mystery was revealed. Now read the story to know how the curiosity came to an end.
Notes :
based – ଆଧାରିତ , superstition – ଅନ୍ଧବିଶ୍ୱାସ,innocent – ନିରୀହ, confused – ଦ୍ୱନ୍ଦ୍ୱରେ , mystery- ରହସ୍ୟ, unveiled – ଉନ୍ମୋଚିତ ହୋଇଛି, victim – ଶିକାର, curiosity, revealed – ପ୍ରକାଶିତ.
ବିଷୟ ସୂଚନା :
ଆମ ସମାଜରେ ପ୍ରଚଳିତ ଅନ୍ଧବିଶ୍ଵାସ ଉପରେ ‘ଗଣେଶଙ୍କ ଶୁଣ୍ଢ’ ଗପଟି ଆଧାରିତ । ଆମ ସମାଜରେ କେତେକ ଲୋକ ଅନ୍ଧବିଶ୍ଵାସୀ ଅଟନ୍ତି । ଏଥିପାଇଁ ଅନେକ ସମୟରେ ଏମାନେ ତାହାର ଶିକାର ହୁଅନ୍ତି ଓ ଅସୁବିଧାରେ ପଡ଼ନ୍ତି । ଗୋବିନ୍ଦ ମହାରଣା ନାମକ ଏକ ସରଳ ଓ ନିଷ୍କପଟ ମୂର୍ତ୍ତିକାରିଗରଦ୍ୱାରା ନିର୍ମିତ ଏକ ଗଣେଶ ମୂର୍ତ୍ତିର ଶୁଣ୍ଢଟି କିପରି ରହସ୍ୟମୟ ଭାବେ ଭାଙ୍ଗିଯାଉଥିଲା, ଆଲୋଚ୍ୟ ଗପଟିରେ ସେହି ସମ୍ବନ୍ଧରେ ବର୍ଣ୍ଣନା କରାଯାଇଛି । ସେ ଏବଂ ତା’ର ସମୁଦାୟ ପରିବାର ଏହି ଘଟଣାକୁ ନେଇ ବର୍ତ୍ତମାନ ଗପଟିକୁ ପଢ଼ ।
Summary: I
Gobinda Maharana was an excellent idol maker in his locality. Making an idol was child’s play for him. Once an unhappy incident kept him bothering. The trunk of Ganesha was breaking mysteriously. One morning while he was taking a glass of tea from his wife’s hand, it slipped from his hand. It so happened because of the fear he carried. He told his wife that he had committed a mistake by interfering in the private lives of gods.
He confessed that it had angered the gods. Her wife thought of something different. She imagined that her husband had grown old and his eye-sight had become weak. But Gobinda only knew the only thing that the idol was large and its trunk was little heavier. He wondered how the tear appeared at the point where the elephant trunk took a turn. Sulochana never doubted his work as she knew that her husband was one of the best craftsmen of that area. Again she felt sorry for the unreasonable price that Gobinda had demanded for the image. She thought that his greed had angered the god.
Notes :
locality – ସ୍ଥାନୀୟ, mysteriously – ରହସ୍ୟମୟ ଭାବରେ, excellent – ଉତ୍କୃଷ୍ଟ, unhappy – ଅସନ୍ତୁଷ୍ଟ, incident – ଘଟଣା, slipped – ଖସିଗଲ confessed- ସ୍ୱୀକାର କରିଛନ୍ତି eye-sight – ଆଖି-ଦୃଶ୍ୟ, wondered – ଆଶ୍ଚର୍ଯ୍ୟ ହୋଇଗଲେ, craftsman – କାରିଗର, unreasonable.
ସାରାଂଶ :
ଗୋବିନ୍ଦ ମହାରଣା ତା’ ଅଞ୍ଚଳର ଜଣେ ବିଖ୍ୟାତ ମୂର୍ତ୍ତିକାରିଗର ଥିଲା । ଗୋଟିଏ ମୂର୍ତ୍ତି ଗଢ଼ିବା ତା’ପାଇଁ ପିଲାଖେଳ ଭଳି ଥିଲା । ଥରେ ଗୋଟିଏ ଦୁଃଖଦାୟକ ଘଟଣା ତାକୁ ବିଚଳିତ କରି ରଖୁଥିଲା । ରହସ୍ୟମୟ ଭାବେ ଗଣେଶଙ୍କ ଶୁଣ୍ଢଟି ଭାଙ୍ଗି ଯାଉଥିଲା । ଦିନେ ସକାଳୁ ସ୍ତ୍ରୀ ହାତରୁ ଚାହା ଗ୍ଲାସ୍ ନେଉଥିବା ସମୟରେ ଏହା ହାତରୁ ଖସିଯାଇ ତଳେ ପଡ଼ିଯାଇଥିଲା । ତା’ ମନରେ ଥିବା ଭୟ ହେତୁ ଏହା ଘଟିଥିଲା । ଦେବତାମାନଙ୍କ ବ୍ୟକ୍ତିଗତ ଜୀବନରେ ହସ୍ତକ୍ଷେପ କରି ସେ ଭୁଲ୍ କରିଥିବା କଥା ତା’ର ସ୍ତ୍ରୀକୁ କହିଲା ।
ଏହାହିଁ ଦେବତାମାନଙ୍କୁ କ୍ରୋଧାନ୍ବିତ କରିଥିଲା ବୋଲି ସେ ସ୍ଵୀକାର କଲା । ତା’ର ସ୍ତ୍ରୀ କିନ୍ତୁ ଟିକିଏ ଅଲଗା କଥା ଚିନ୍ତା କଲା । ସେ ଚିନ୍ତାକଲା ଯେ ତା’ର ସ୍ଵାମୀ ବୁଢ଼ା ହୋଇଗଲେଣି ଏବଂ ତାଙ୍କର ଦୃଷ୍ଟିଶକ୍ତି ଦୁର୍ବଳ ହୋଇଗଲାଣି । କିନ୍ତୁ ଗୋବିନ୍ଦ ମାତ୍ର ଗୋଟିଏ କଥା ଜାଣିଥୁଲା ଯେ ମୂର୍ତ୍ତିଟି ଟିକିଏ ବଡ଼ ଓ ତା’ର ଶୁଣ୍ଢଟି ଟିକିଏ ଭାରୀ । ହାତୀ ଶୁଣ୍ଢଟି ଯେଉଁ ସ୍ଥାନରେ ବକ୍ର ହୋଇଛି, ଠିକ୍ ସେହି ସ୍ଥାନଟି କିପରି ଭାଙ୍ଗି ପଡୁଛି ସେ ବୁଝିପାରୁ ନଥିଲା । ସୁଲୋଚନା ଜାଣିଥିଲା ଯେ ତା’ର ସ୍ବାମୀ ସେହି ଅଞ୍ଚଳରେ ଜଣେ ଖ୍ୟାତନାମା କାରିଗର, ତେଣୁ ତା’ର ସ୍ବାମୀର କାମ ଉପରେ ତା’ର କିଛି ସନ୍ଦେହ ନ ଥିଲା । ପୁନଶ୍ଚ ତା’ର ସ୍ଵାମୀ ସେହି ମୂର୍ତ୍ତି ପାଇଁ ଅସଙ୍ଗତ ମୂଲ୍ୟ ଦାବି କରୁଥିବାରୁ ସେ ଦୁଃଖ ପ୍ରକାଶ କରିଥିଲା । ସେ ଭାବିଲା ଯେ ତା’ ସ୍ଵାମୀର ଲୋଭ ହିଁ ଦେବତାମାନଙ୍କୁ ରଗାଇ ଦେଇଥିଲା ।
The Text: ପାଠ୍ୟଚିଷୟ
Paragraphwise Analysis
Text- 1
It was just one of those days when nothing seemed to go right for Gobinda Maharana. Once again there was this unhappy incident which kept bothering him. At sunrise he finished his bath in the courtyard and took a glass of tea from his wife’s hand. His fingers suddenly slackened and the glass slipped from his hand, It was his first conscious knowledge of the fear he carried. The superstition haunted him throughout his life. This day there was a special reason for his gloomy, tense manner, for it was the third day in succession that such a thing had happened. Gobinda had learnt the trade from his father, as had his father from his father’s father: the substance of the art of idol-making, the Durgas and the Ganeshas and the Sivas.
ବିଷୟ ସୂଚନା :
ଆମ ସମାଜରେ ପ୍ରଚଳିତ ଅନ୍ଧବିଶ୍ଵାସ ଉପରେ ‘ଗଣେଶଙ୍କ ଶୁଣ୍ଢ’ ଗପଟି ଆଧାରିତ । ଆମ ସମାଜରେ କେତେକ ଲୋକ ଅନ୍ଧବିଶ୍ଵାସୀ ଅଟନ୍ତି । ଏଥିପାଇଁ ଅନେକ ସମୟରେ ଏମାନେ ତାହାର ଶିକାର ହୁଅନ୍ତି ଓ ଅସୁବିଧାରେ ପଡ଼ନ୍ତି । ଗୋବିନ୍ଦ ମହାରଣା ନାମକ ଏକ ସରଳ ଓ ନିଷ୍କପଟ ମୂର୍ତ୍ତିକାରିଗରଦ୍ୱାରା ନିର୍ମିତ ଏକ ଗଣେଶ ମୂର୍ତ୍ତିର ଶୁଣ୍ଢଟି କିପରି ରହସ୍ୟମୟ ଭାବେ ଭାଙ୍ଗିଯାଉଥିଲା, ଆଲୋଚ୍ୟ ଗପଟିରେ ସେହି ସମ୍ବନ୍ଧରେ ବର୍ଣ୍ଣନା କରାଯାଇଛି । ସେ ଏବଂ ତା’ର ସମୁଦାୟ ପରିବାର ଏହି ଘଟଣାକୁ ନେଇ
ବର୍ତ୍ତମାନ ଗପଟିକୁ ପଢ଼ ।
Text- 2
“Perhaps / have no right, ” he told his wife, “to meddle with the private lives of gods. That is why they are angry. Perhaps I have been, of late, using my powers too carelessly, and the icons I have been making are not exactly those my father would have made in his time.” Sulochana looked at her husband with frightened eyes. Perhaps he was right, she thought. But may be he was growing older, and his hands and eyesight were not as strong as before. “You must be tired working without a break,” she said, her words betraying her simplicity. “You know what day it is, ” He studied her for a moment and continued. “And I am already late on the large Ganeshs. ” What had gone wrong? He could not understand. Making an image was child’s play for him: only in this case the idol was somewhat larger than most, the trunk a little heavier, a trifle longer. That was all.
ବିଷୟ ସୂଚନା :
ଆମ ସମାଜରେ ପ୍ରଚଳିତ ଅନ୍ଧବିଶ୍ଵାସ ଉପରେ ‘ଗଣେଶଙ୍କ ଶୁଣ୍ଢ’ ଗପଟି ଆଧାରିତ । ଆମ ସମାଜରେ କେତେକ ଲୋକ ଅନ୍ଧବିଶ୍ଵାସୀ ଅଟନ୍ତି । ଏଥିପାଇଁ ଅନେକ ସମୟରେ ଏମାନେ ତାହାର ଶିକାର ହୁଅନ୍ତି ଓ ଅସୁବିଧାରେ ପଡ଼ନ୍ତି । ଗୋବିନ୍ଦ ମହାରଣା ନାମକ ଏକ ସରଳ ଓ ନିଷ୍କପଟ ମୂର୍ତ୍ତିକାରିଗରଦ୍ୱାରା ନିର୍ମିତ ଏକ ଗଣେଶ ମୂର୍ତ୍ତିର ଶୁଣ୍ଢଟି କିପରି ରହସ୍ୟମୟ ଭାବେ ଭାଙ୍ଗିଯାଉଥିଲା, ଆଲୋଚ୍ୟ ଗପଟିରେ ସେହି ସମ୍ବନ୍ଧରେ ବର୍ଣ୍ଣନା କରାଯାଇଛି । ସେ ଏବଂ ତା’ର ସମୁଦାୟ ପରିବାର ଏହି ଘଟଣାକୁ ନେଇ
ବର୍ତ୍ତମାନ ଗପଟିକୁ ପଢ଼ ।
Text- 3
Perhaps the clay he had been using was just that measure short of its adhesive quality which makes for a smooth, tight binding. But it was the same clay he had been using for years, for innumerable images he had perfected and sold. Then why the sudden tear at the point where the elephant trunk took a turn and swung gently downward? Was the weight too heavy for the clay mould of the images face to support it? Sulochana didn’t want to question him about his work, for she knew that he was one of the best image makers in the whole valley. “Gobinda Maharana’s images; it’s hard to find better work than his !” she had heard the townsfolk often ‘say.
He was one of the few excellent craftsmen left. And she nursed her pride in secret. And yet some inner voice hammered at her, was it because he had asked for a better price, a rather exorbitant one, than what was considered reasonable lor an image of that size? She was convinced that her husband was a righteous man, but wasn’t it possible that his seeming greed (provided her surmise was correct) had angered the Unknown.
ବିଷୟ ସୂଚନା :
ଆମ ସମାଜରେ ପ୍ରଚଳିତ ଅନ୍ଧବିଶ୍ଵାସ ଉପରେ ‘ଗଣେଶଙ୍କ ଶୁଣ୍ଢ’ ଗପଟି ଆଧାରିତ । ଆମ ସମାଜରେ କେତେକ ଲୋକ ଅନ୍ଧବିଶ୍ଵାସୀ ଅଟନ୍ତି । ଏଥିପାଇଁ ଅନେକ ସମୟରେ ଏମାନେ ତାହାର ଶିକାର ହୁଅନ୍ତି ଓ ଅସୁବିଧାରେ ପଡ଼ନ୍ତି । ଗୋବିନ୍ଦ ମହାରଣା ନାମକ ଏକ ସରଳ ଓ ନିଷ୍କପଟ ମୂର୍ତ୍ତିକାରିଗରଦ୍ୱାରା ନିର୍ମିତ ଏକ ଗଣେଶ ମୂର୍ତ୍ତିର ଶୁଣ୍ଢଟି କିପରି ରହସ୍ୟମୟ ଭାବେ ଭାଙ୍ଗିଯାଉଥିଲା, ଆଲୋଚ୍ୟ ଗପଟିରେ ସେହି ସମ୍ବନ୍ଧରେ ବର୍ଣ୍ଣନା କରାଯାଇଛି । ସେ ଏବଂ ତା’ର ସମୁଦାୟ ପରିବାର ଏହି ଘଟଣାକୁ ନେଇ
ବର୍ତ୍ତମାନ ଗପଟିକୁ ପଢ଼ ।
Notes And Glossary : (ଟିପ୍ପଣୀ ଏବଂ ଗ୍ଲୋସାରୀ:)
incident – ଘଟଣା
seemed – ଲାଗୁଥିଲା
bothering – disturbing – ବିଶୃଙ୍ଖଳିତ
courtyard – ପ୍ରାଙ୍ଗଣ
slackened – ଅଳସୁଆ
conscious knowledge – ସଚେତନ ଜ୍ଞାନ
superstition – ଅନ୍ଧବିଶ୍ୱାସ
haunted – ହନ୍ତସନ୍ତ
gloomy – ଉଦାସ
succession – ଉତ୍ତରାଧିକାର
trade – ବାଣିଜ୍ୟ
substance – ପଦାର୍ଥ
meddle – ମଧ୍ୟସ୍ଥତା କରିବା
icons – ଆଇକନ୍
frightened – ଭୟଭୀତ
betraying – ବିଶ୍ୱାସଘାତକତ
simplicity – ସରଳତା
trunk – ଟ୍ରଙ୍କ
trifle – ଛୋଟ
clay – ମାଟି
adhesive – ଆଡେସିଭ୍
innumerable – ଅସଂଖ୍ୟ
perfected – ସଂପୂର୍ଣ୍ଣ
swung – swung
mould – ଛାଞ୍ଚ
townsfolk – ସହରାଞ୍ଚଳ
excellent – very much beautiful – ଉତ୍କୃଷ୍ଟ
nursed – ନର୍ସ
exorbitant – much bigger or much more – ବହୁତ ବଡ଼ ବା ବହୁତ ବଡ଼
shards – pieces – ଶାର୍ଡ
idol – image, figure- ପ୍ରତିମା
mysterious – suspenseful – ରହସ୍ୟମୟ
pride – ଗର୍ବ
secret – ଗୁପ୍ତ
righteous – honest- ଧାର୍ମିକ
lor – ଲର
greed – ଲୋଭ
surmise – guess – ଅନୁମାନ କର
Answer The Following Questions
(ଅନୁସରଣ ପ୍ରଶ୍ନର ଉତ୍ତର ଦିଅ)
Question 1.
Soon after his bath, what did Gobinda Maharana do?
(ଗାଧୋଇବାର ଠିକ୍ ପରେ ପରେ, ଗୋବିନ୍ଦ ମହାରଣା କ’ଣ କଲା ?)
Answer:
Soon after his bath, Gobinda Maharana took a glass of tea from his wife’s hand
Question 2.
Why was he anxious in the morning?
(କାହିଁକି ସେ ସକାଳେ ବ୍ୟାକୁଳ ଥିଲା ?)
Answer:
As soon as Gobinda took the glass of tea from his wife’s hand in the morning, his fingers slackened and it slipped from his hand. He was anxious for the conscious knowledge of the fear he carried.
Question 3.
What was Gobinda Maharana’s trade?
(ଗୋବିନ୍ଦ ମହାରଣାଙ୍କର ବୃତ୍ତି କ’ଣ ଥିଲା ?)
Answer:
Gobinda Maharana had learnt the art of idol-making from his father. That was his trade.
Question 4.
What was bothering him since last three days?
(କେଉଁ କଥା ତାଙ୍କୁ ଗତ ତିନିଦନ ଧରି ବ୍ୟତିବ୍ୟସ୍ତ କରୁଥିଲା ?)
Answer:
One morning a glass of tea slipped from Gobinda’s hand. He remembered that such type of mishappening had been occurring since last consecutive three days. The mishappening was the mysterious breaking of trunk of Ganesh image which he was making. That was bothering him.
Question 5.
Worried Gobinda Maharana gave reasons for the breaking of the trunk. What are they?
(ବିବ୍ରତ ଗୋବିନ୍ଦ ମହାରଣା ଶୁଣ୍ଢ ଭାଙ୍ଗିବାର କାରଣମାନ କହିଥିଲା । ସେଗୁଡ଼ିକ କ’ଣ ?)
Answer:
Gobinda thought of several reasons for the breaking of the trunk. He thought that perhaps he had been using his powers uselessly or the icons he had been making was not exactly as his father had done in his time.
Question 6.
Sulochana did not want to question him for his work. What is the reason behind this?
(ସୁଲୋଚନା ତାଙ୍କ କାମ ପାଇଁ ତାଙ୍କୁ ପ୍ରଶ୍ନ କରିବାକୁ ଚାହୁଁ ନ ଥିଲା । ଏହା ପଛରେ ଥିବା କାରଣ କ’ଣ ?)
Answer:
Sulochana didn’t want to question him for his work for she knew it very well that he was one of the best image makers in the whole valley.
Question 7.
What thoughts did come to Sulochana’s mind when the trunk broke again on the third day?
(ଯେତେବେଳେ ତୃତୀୟ ଦିନ ପୁଣିଥରେ ଶୁଣ୍ଢଟି ଭାଙ୍ଗିଗଲା ସୁଲୋଚନାଙ୍କ ମନରେ କେଉଁସବୁ ଭାବନା ଆସିଥିଲା ? )
Answer:
When the trunk broke again on the third day, Sulochana thought that it so happened for the anger of the God, because perhaps her husband had demanded more price for the image.
Question 8.
Do you think Gobinda Maharana had become old and his hands and eyes were not strong enough to prepare the clay for the idol? Is there some supernatural power playing the trick? Let’s read to find out.
(ତୁମେ ଭାବୁଛ କି ଗୋବିନ୍ଦ ମହାରଣା ବହୁତ ବୁଢ଼ା ହୋଇଯାଇଥିଲା ଏବଂ ମୂର୍ତ୍ତି ପାଇଁ କାଦୁଅ ପ୍ରସ୍ତୁତ କରିବାକୁ ତା’ର ହାତ ଓ ଦୃଷ୍ଟିଶକ୍ତି ଏତେ ସବଳ ନ ଥୁଲା ? କେତେକ ଅଲୌକିକ ଶକ୍ତି ଏହି ଖେଳ ଖେଳୁଥିଲେ କି ? ଆସ ତାହା ଜାଣିବାକୁ ପଢ଼ିବା।)
Answer:
No. I don’t think so. Neither Gobinda Maharana had become old nor his hands and eyes were weak enough to prepare the clay for the idol. And also there is no supernatural power to play the trick.
Summary: II
Gobinda supported a large family although he was sixty-one-years old. His eldest son was married and he had two children. His second son was an apprentice in a paper mill. His youngest son was thirteen year old Ranju, who alone had taken up the ancestral profession and helped his father.
In all these years this experience of his was a new’ one. He came to a conclusion that there was an element of supernatural in the mysterious breaking of the image. Of course a change had taken place in the designing of clay images in respect of new apparel and luminous paint which he was using those days. He himself was wonderstruck thinking of the unusual breaking of the image of Ganesha. He was worried and made himself responsible for demanding excessive price for a six feet high image of Ganesha.
Ranju entered the workroom and looked at the unfinished Ganesha. He was surprised to see the broken trunk which occured every night. Ranju instantly cleared the debris surrounding the image. He brought a fresh mass of clay and asked his father to repair the broken part of the image. Accordingly his father mended the broken trunk very carefully. The image had been placed close to the open window so that more light would be available for work and the wet clay would dry up. As the image was near the window, Ranju suspected that the wind could be the destroyer. He requested his father to close the window. But his father didn’t believe it at all.
Notes:
supported- ସମର୍ଥିତ,
although- ଯଦିଓ,
ancestral- ପୂର୍ବଜତୃକ,
profession-ବୃତ୍ତି,
luminous- ଉଜ୍ଜ୍ୱଳ,
wonderstruck – ଆଶ୍ଚର୍ଯ୍ୟ,
responsible – ଦାୟୀ,
unfinished – ଅସମାପ୍ତ,
suspected- ସନ୍ଦେହ,
apprentice -ଶିକ୍ଷାର୍ଥୀ,
mysterious- ରହସ୍ୟମୟ,
instantly- ତତକ୍ଷଣାତ୍,
apparel- ପୋଷାକ.
ଏକଷଠି ବର୍ଷୀୟ ବୃଦ୍ଧ ଗୋବିନ୍ଦ ଗୋଟିଏ ବଡ଼ ପରିବାରର ପ୍ରତିପୋଷଣ କରୁଥିଲା । ତା’ର ବଡ଼ ପୁଅ ବିବାହିତ ଓ ତା’ର ଦୁଇଟି ସନ୍ତାନ ଥିଲେ । ମଝିଆ ପୁଅ ଗୋଟିଏ କାଗଜ କଳରେ ଶିକ୍ଷାନବୀଶ ଥିଲା । ସାନପୁଅ ତେର ବର୍ଷୀୟ ରଞ୍ଜୁ ଯେ କି ପୈତୃକ କୌଳିକ ବୃତ୍ତିକୁ ଅବଲମ୍ବନ କରିଥିଲା ଏବଂ ତା’ର ବାପାଙ୍କୁ ସାହାଯ୍ୟ କରୁଥିଲା ।
ପଛରେ ନିଶ୍ଚୟ କୌଣସି ଗୋଟିଏ ଅଲୌକିକ ଶକ୍ତିର ହାତ ରହିଛି । ଅବଶ୍ୟ ମାଟି ମୂର୍ତ୍ତି ଗଠନଶୈଳୀର ପୋଷାକ ପରିପାଟୀ ଓ ସ୍ବଚ୍ଛ ରଙ୍ଗ ଦେବା କ୍ଷେତ୍ରରେ ପରିବର୍ତ୍ତନ ଆସିଛି ଯାହାକୁ ସେ ମଧ୍ୟ ଅନୁକରଣ କରୁଥିଲା । କିନ୍ତୁ ଏକ ଅସାଧାରଣ ଭାବରେ ଗଣେଶ ମୂର୍ତ୍ତି ଭାଙ୍ଗିବା କଥା ଚିନ୍ତାକରି ସେ ବିସ୍ମିତ ହେଉଥିଲା । ସେ ବ୍ୟତିବ୍ୟସ୍ତ ହୋଇପଡୁଥିଲା ଏବଂ ଏକ ଛଅ ଫୁଟର ଗଣେଶ ମୂର୍ତ୍ତି ପାଇଁ ଅତ୍ୟଧ୍ଵ ପଇସା ଦାବି କରିଥିବା ହେତୁ ନିଜକୁ ଅଧିକ ପରିମାଣରେ ଦାୟୀ ମନେ କରୁଥିଲା ।
ରଞ୍ଜୁ ସେହି ମୂର୍ତ୍ତି ତିଆରି କୋଠରିକୁ ପ୍ରବେଶ କଲା ଓ ଅଧାଗଢ଼ା ଗଣେଶ ମୂର୍ତ୍ତିକୁ ଚାହିଁଲା । ସବୁ ରାତିରେ ଭାଙ୍ଗି ପଡୁଥିବା ଶୁଣ୍ଢଟିକୁ ଦେଖ୍ ଆଶ୍ଚର୍ଯ୍ୟ ହେଲା । ରଞ୍ଜୁ ସଙ୍ଗେ ସଙ୍ଗେ ମୂର୍ତ୍ତିରେ ଥିବା ଭଙ୍ଗା ଅଂଶଗୁଡ଼ିକୁ ପରିଷ୍କାର କରିଦେଲା । ସଦ୍ୟ ମାଟି ପିଣ୍ଡୁଳାଏ ଆଣି ବାପାଙ୍କୁ ମୂର୍ତ୍ତିର ଭଗ୍ନ ଅଂଶକୁ ମରାମତି କରିବାପାଇଁ କହିଲା । ତଦନୁସାରେ ତା’ର ବାପା ଅତି ଯତ୍ନର ସହିତ ଶୁଣ୍ଢଟିକୁ ମରାମତି
ଅଧିକ ଆଲୋକ ପାଇବାପାଇଁ ଓ ଓଦା ମାଟି ଶୀଘ୍ର ଶୁଝାପାଇଁ ମୂର୍ତ୍ତିଟିକୁ ଖୋଲା ଝରକା ପାଖରେ ରଖାଯାଇଥିଲା । ପବନ ମୂର୍ତ୍ତିଟିର ବିନାଶକାରୀ ହୋଇପାରେ ବୋଲି ରଞ୍ଜୁ ସନ୍ଦେହ କଲା କାରଣ ମୂର୍ତ୍ତିଟି ଝରକା ନିକଟରେ ଥିଲା । ଝରକାଟିକୁ ବନ୍ଦ କରିଦେବାକୁ ସେ ବାପାଙ୍କୁ ଅନୁରୋଧ କଲା । ପରନ୍ତୁ ବାପା ଏ କଥାକୁ ଆଦୌ ବିଶ୍ବାସ କଲେ ନାହିଁ ।
The Text: ପାଠ୍ୟଚିଷୟ
Paragraphwise Analysis
Text- 1
The sixty-one-year-old Gobinda had a large family to support; this included a son who had an irresponsible drifter who spent his days away
from the house fishing idly for shrimp and carp in the Mahanadi. The second son had been taken in as an apprentice in a paper mill. There remained only the youngest, a mere thirteen-year-old. Out of the three he alone showed promise of taking up the ancestral profession, thus restoring a measure of calm to the father’s mind. In all these years this experience of his was a new one, a feeling of being alone in a ravenous darkness.
All his thinking brought Gobinda to the inescapable conclusion that there was an element of the Supernatural in the mysterious breaking of the image; but what had he done to deserve this? His life was ordered, restrained; so where could he have gone wrong? True, that a subtle change had come about in the designing of the clay figures, in the eye-catching new apparel, and in the shades of luminous paint he was using these days. But he hadn’t gone about making the changes on his own; they had wanted their gods to be more in tune with the times. Gradually, therefore, he had endowed the goddesses with slim and curved bodies.
ଅନୁବାଦ :
ଏକ ବଡ଼ ପରିବାରକୁ ଚଳାଇବାର ଦାୟିତ୍ୱ ୬୧ ବର୍ଷୀୟ ଗୋବିନ୍ଦ ମହାରଣା ଉପରେ ପଡ଼ିଥିଲା, ଏଥରେ (ଏହି ପରିବାରରେ) ଗୋଟିଏ ପୁଅ ଓ ତାହାର ସ୍ତ୍ରୀ ଓ ଦୁଇ ପିଲା ଥିଲେ । ଗୋବିନ୍ଦର ଏହି ପୁଅ ଏକ ଦାୟିତ୍ୱହୀନ ବାରବୁଲାରେ ପରିଣତ ହୋଇଯାଇଥିଲା ଯିଏକି ଘରୁ ବାହାରି ନିଜର ଦିନଗୁଡ଼ିକୁ ମହାନଦୀର ଚିଙ୍ଗୁଡ଼ି ବା ପୋହଳା ମାଛ ଅଳସୁଆ ଭାବରେ ଧରିବାରେ ବିତାଇ ଦେଉଥିଲା । ଗୋବିନ୍ଦର ଦ୍ଵିତୀୟ ପୁଅ ଗୋଟିଏ କାଗଜ କଳରେ ଏକ ଶିକ୍ଷାନବୀଶ (ନୂଆ କରି କାର୍ଯ୍ୟରେ ଯୋଗ ଦେଇଥିବା ବ୍ୟକ୍ତି) ଭାବରେ କାମ କରୁଥିଲା । ଆଉ ରହି ଯାଇଥିଲା ଜଣେ ୧୩ ବର୍ଷର ସବୁଠାରୁ ଛୋଟ ପୁଅ । ତିନି ପୁଅ ଭିତରୁ କେବଳ ଏହି ୧୩ ବର୍ଷର ବାଳକ ବାପାଙ୍କ ମନର ଶାନ୍ତକୁ ବଜାୟ ରଖ୍ ମୂର୍ତ୍ତି ଗଢ଼ିବାର କୌଳିକ ବୃତ୍ତିକୁ ଆଗେଇ ନେବାର ନିଷ୍ଠା ଦେଖାଇଥିଲା ।
ଏ ସମସ୍ତ ବର୍ଷଗୁଡ଼ିକରେ ଗୋବିନ୍ଦର ଏହି ଅନୁଭୂତି ଗୋଟିଏ ନୂଆ ଅନୁଭୂତି ଥିଲା । ତାହାର ସମସ୍ତ ପ୍ରକାର ଚିନ୍ତାଧାରା ଏକ ଅନିବାର୍ଯ୍ୟ ଉପସଂହାର (ଶେଷ କଥା) ସୃଷ୍ଟି କରିଥିଲା ଯେ ଗଣେଶ ମୂର୍ତ୍ତିର ରହସ୍ୟମୟ ଭାଙ୍ଗିଯିବାରେ ଅଲୌକିକ ଶକ୍ତିର ଗୋଟିଏ (6 ଭୂମିକା ଥିଲା; କିନ୍ତୁ ଏଥର ହକ୍ର ହେବାପାଇଁ ସେ କ’ଣ କରିଥିଲା ? ତା’ର ଜୀବନ ତ ଶୃଙ୍ଖଳିତ, ନିୟନ୍ତ୍ରିତ ଥିଲା; ତେଣୁ ତା’ର ବା କେଉଁଠାରେ ଭୁଲ ରହିଯାଇଥିଲା ? ହଁ, ଏହା ସତ ଥିଲା ଯେ ଆଜିକାଲି ମାଟିର ମୂର୍ତ୍ତିଗୁଡ଼ିକର ନକ୍ସା ପ୍ରସ୍ତୁତି କରିବାରେ ଆଖୁଦୃଷ୍ଟିଆ ନୂତନ ପୋଷାକ ତିଆରି କରିବାରେ ଓ ଆଜିକାଲି ବ୍ୟବହାର କରୁଥିବା ଆକର୍ଷଣୀୟ ରଙ୍ଗର ଛାପ ତିଆରିରେ ଗୋଟିଏ ରହସ୍ୟମୟ ପରିବର୍ତ୍ତନ ଘଟିଥିଲା । କିନ୍ତୁ ନିଜ ଇଚ୍ଛାରେ ସେ ମୂର୍ତ୍ତିଗୁଡ଼ିକରେ ପରିବର୍ତ୍ତନ ଆଣି ନ ଥିଲେ, ସମୟ ସହିତ ତାଳ ଦେଇ ସେ ଦେବଦେବୀଙ୍କର ମୂର୍ତ୍ତି ଗଢ଼ିବାକୁ ଲୋକମାନେ ଚାହୁଁଥିଲେ । ସମୟକ୍ରମେ ଗୋବିନ୍ଦ ଦେବୀମାନଙ୍କୁ ପତଳୀ କରିଦେବା ସହିତ ବକ୍ର ଶରୀର ପ୍ରଦାନ କରିଥିଲା ।
Text- 2
But there was nothing flashy about this image of Ganesha he was at work on. Then why should this happen now? Or was it because the price of two hundred and fifty rupees he had asked for was a large and unreasonable sum for a six-foot-high image of Ganesha? He saw his youngest son, Ranju, come into the workroom and stare at the unfinished Ganesha. ‘There, it’s happened again,” the boy mumbled bitterly, and flinched at the pain he saw in the old man’s eyes. The image stood, incomplete, to one side of the room facing the grilled window set into the northern wall. Cracks had started appearing at several places where the clay had dried. The straw skeleton of the image showed its forks through the mud where the trunk had tom.
ଅନୁବାଦ :
କିନ୍ତୁ ସେ ଗଢ଼ୁଥିବା ଏହି ଗଣେଶ ମୂର୍ତ୍ତିରେ କିଛି ବି ଶସ୍ତା ଓ ଆକର୍ଷକ ଚମକ ନ ଥିଲା । ତା’ହେଲେ ଏଭଳି ଘଟୁଛି କାହିଁକି ? କିମ୍ବା ୬ ଫୁଟ ଉଚ୍ଚ ଗଣେଶ ମୂର୍ତ୍ତି ଗଢ଼ିବାପାଇଁ ଗୋବିନ୍ଦ ଦାବି କରିଥିବା ଦୁଇ ଶହ ପଚାଶ ଟଙ୍କାର ଅତି ଚଢ଼ା ମୂଲ୍ୟ ଏହାର କି ? ମୂର୍ତ୍ତିଗଢ଼ା କୋଠରି ଭିତରକୁ ସବା ସାନପୁଅ ରଞ୍ଜୁ ପଶିବାର ଓ ଅସମାପ୍ତ ଗଣେଶକୁ ଚାହିଁ ରହିବାର ଗୋବିନ୍ଦ କାରଣ ଥିଲା ଦେଖୁ ।
‘‘ପୁଣି ଏଭଳି ଘଟିଲା,’’ ବାଳକ ତିକ୍ତତା ପ୍ରକାଶପୂର୍ବକ ଗୁଣୁଗୁଣୁ ହୋଇ କହିଲା ଓ ବୁଢ଼ା ବାପା ଆଖ୍ୟାରେ ଯନ୍ତ୍ରଣା ଦେଖୁ ପଛକୁ ଟିକେ ହଟିଗଲା । ଉତ୍ତର ପାର୍ଶ୍ଵ କାନ୍ଥରେ ଲାଗିଥିବା ଲୁହା ଝରକାକୁ ମୁହଁ କରି ଅସମ୍ପୂର୍ଣ୍ଣ ଗଣେଶ ମୂର୍ତ୍ତିଟି କୋଠରିର ଗୋଟିଏ ପଟକୁ ଠିଆ ହୋଇ ରହିଥିଲା । ଯେଉଁଠାରେ ମାଟି ଶୁଖି ଯାଇଥିଲା ସେଠାରେ ଅନେକ ଜାଗାରେ ଫାଟ ଦେଖା ଯାଉଥିଲା । ଭାଙ୍ଗିଯାଇଥିବା ଶୁଣ୍ଢଠାରେ ଥିବା କାଦୁଅରେ ଗଣେଶ ମୂର୍ତ୍ତିର ନଡ଼ା କଙ୍କାଳରୁ ଏହାର ସଣ୍ଡୁଆସୀ ଭଳି ଆକୃତି ସ୍ପଷ୍ଟ ଦେଖା ଯାଉଥିଲା ।
Text- 3
Quickly Ranju cleared the debris surrounding the image. He brought a fresh mass of clay and placed it before his father to knead. Gobinda looked closely at his son. No, there was no trace of ridicule evident on the young face, nor harshness of youth; merely a mute acceptance of the moment. His glance turned to the image again. And before he realised what he was doing, his hands were once again kneading the clay, warmly, professionally; making it into the right stickiness as he began carefully filling the tear.
Gobinda had nearly finished mending the broken trunk when Ranju interrupted him, “Father, the draught from the window. May be it should be closed. ” The image now appeared as clean and smooth as a mannequin. There were no traces of the recurring disaster. The possibility of a gust of wind breaking the image was too remote, Gobinda thought. But the image had been placed very close to the open window, only a meter away. He had shifted the image himself, deliberately, in order that more light would be available for his work. And the wet clay would dry up sooner, facing the draught of wind. But that the wind could be a destroyer had never entered his mind. He decided, “Not the wind. It seems impossible.
ଅନୁବାଦ :
ମୂର୍ତ୍ତି ଚାରିପଟରେ ପଡ଼ିଥିବା ଶୁଣ୍ଢର ବିଖଣ୍ଡିତ ଅଂଶଗୁଡ଼ିକୁ ରଞ୍ଜୁ ଶୀଘ୍ର ସଫା କରିଦେଲା । ସଙ୍ଗେ ସଙ୍ଗେ ରଞ୍ଜୁ ନୂଆ କରି ଟେଳାଏ ମାଟି ଆଣି ବାପାଙ୍କ ପାଖରେ ରଖୁଲା ଓ ଭଲ କରି ଦଳିଲା । ଗୋବିନ୍ଦ ନିଜ ପୁଅ ଆଡ଼କୁ ଭଲ କରି ଚାହିଁଲା । ଯୁବକ ପୁତ୍ରର ମୁହଁରେ ବ୍ୟଙ୍ଗର ଆଭାସ ବା ନିଷ୍ଠୁରତାର ସଙ୍କେତ ନ ଥିଲା, ତା’ (ପୁଅର) ମୁହଁରେ ସେହି ମୁହୂର୍ତ୍ତର ଏକ ନୀରବ ସମ୍ମତିର ସଙ୍କେତ ପ୍ରତୀୟମାନ ହେଉଥିଲା ।
ସେ (ଗୋବିନ୍ଦ) କ’ଣ କରୁଥିଲା ତାହା ବୁଝିବା ପୂର୍ବରୁ, ତାହାର ହାତ ଦୁଇଟି ପୁଣିଥରେ ପୂର୍ବଭଳି ଉତ୍ସାହରେ ଓ ନିଜର ବୃତ୍ତିର ନିଶାରେ ମାଟି ଦଳି ଚାଲିଲା ଓ ଦଳୁଥିବା ମାଟିକୁ ଠିକ୍ ଅଠାଳିଆ କରିବା ସମୟରେ ଭଙ୍ଗା ଶୁଣ୍ଢଟିକୁ ମାଟି ଦେଇ ତିଆରି କଲା । ଭଙ୍ଗା ଶୁଣ୍ଢଟିକୁ ମରାମତି ଶେଷ କରି ଆସୁଥିବାବେଳେ ରଞ୍ଜୁ ତାଙ୍କୁ ବାଧା ଦେଇ କହିଲା, ‘ବାପା, ଝରକା ଭିତର ଦେଇ ପବନର ସ୍ରୋତ ବହି ଆସୁଛି । ଏହାକୁ ବନ୍ଦ କରିଦେବା ଉଚିତ ।’’
ଗଣେଶ୍ ମୂର୍ତ୍ତି ଏବେ ଏକ ଆପାଦମସ୍ତକ ପୋଷାକ ଧାରଣକାରୀ ବ୍ୟକ୍ତି ଭଳି ପରିଷ୍କାର ଓ ଚିକ୍କଣ ମୂର୍ତ୍ତି ଭଳି ଦିଶୁଥିଲା । ବିପତ୍ତିର କୌଣସି ଚିହ୍ନବର୍ଣ୍ଣ ନ ଥିଲା । ଗୋବିନ୍ଦ ଭାବିଲା ଦଲକାଏ ପବନ ମୂର୍ତ୍ତିଟିକୁ ଭାଙ୍ଗିବାର ସମ୍ଭାବନା ଖୁବ୍ କ୍ଷୀଣ ଥିଲା । କିନ୍ତୁ ମୂର୍ତ୍ତିଟିକୁ ଖେଲା ଝରକାର ଅତି ପାଖରେ ମାତ୍ର ୧ ମିଟର ଦୂରରେ ରଖାଯାଇଥିଲା । ସେ ଜାଣିଶୁଣି ମୂର୍ତ୍ତିକୁ ସେଠାକୁ ସ୍ଥାନାନ୍ତରିତ କରିଥିଲା ଯାହା ଫଳରେ ମୂର୍ତ୍ତି ଉପରେ ଅଧିକ ଆଲୋକ ପଡ଼ିବ । ପବନ ଆଡ଼କୁ ଥିବା ମୂର୍ତ୍ତିର ଓଦାମାଟି ଶୀଘ୍ର ଶୁଖୁଯିବ । କିନ୍ତୁ ପବନ ଯେ ତା’ ମୂର୍ତ୍ତି ପାଇଁ ବିନାଶକାରୀ ହୋଇପାରେ ଏ କଥା ତା’ ମନରେ ପଶି ନ ଥିଲା । ସେ ସ୍ଥିର ଓ ଦୃଢ଼ତାର ସହିତ କହିଲା, ‘ପବନ ତା’ ମୂର୍ତ୍ତିକୁ ନଷ୍ଟ କରିଦେବ, ନା, ଏହା ଅସମ୍ଭବ ।’’
Notes And Glossary: ଟିପ୍ପଣୀ ଏବଂ ଗ୍ଲୋସାରୀ:
irresponsible- ଦାୟିତ୍ୱହୀନ
drifter – a person who leads an aimless life- ଲକ୍ଷ୍ୟହୀନ ଜୀବନ ବିତାଉଥିବା
shrimp – ଚିଙ୍ଗୁଡ଼ି |
carp – a large freshwater fish – ମଧୁର ଜଳ ମାଛ (ରୋହି)
apprentice – ଶିକ୍ଷାର୍ଥୀ
ancestral – ପୂର୍ବଜ ତୃକ
profession – occupation – ବ୍ୟବସାୟ
calm – ଶାନ୍ତ
ravenous – voracious- ଘୃଣ୍ୟ
inescapable – unavoidable – ଅସୁରକ୍ଷିତ
conclusion – ଉପସଂହାର
restrained- kept control – ନିୟନ୍ତ୍ରଣ ରଖାଗଲା
subtle – ସୂକ୍ଷ୍ମ
apparel – ପୋଷାକ
shades – ଛାୟା
luminous – ଉଜ୍ଜ୍ୱଳ
gradually- steadily – ଧୀରେ ଧୀରେ
endow -ପ୍ରଦାନ କରିବା
slim- slender – ପତଳା
flashy- ଚମତ୍କାର
unreasonable – ଅୟୌକ୍ତିକ
stare – ଧ୍ୟାନ ଦିଅ
mumbled bitterly- କାନ୍ଦିବାକୁ ଲାଗିଲା
flinched- moved back – ଅପହଞ୍ଚ
grilled – ଗ୍ରିଲ୍
cracks – ଖାଲ
skeleton- framework – କଙ୍କାଳ
forks – ଫଙ୍କସ୍
debris – ଆବର୍ଜନା
knead – ଆଣ୍ଠୁଏ
trace – ଚିହ୍ନ
ridicule – ପରିହାସ
harshness – କଠୋରତା
mute – ମୂକ
glance – ଝଲକ
stickiness – ସ୍ଥିରତା
tear – ଅଶ୍ରୁ
interrupt- poke into – ବାଧା
draught- current of air in an enclosed place- ଏକ ଆବଦ୍ଧ ସ୍ଥାନରେ ବାୟୁ ପ୍ରବାହ
mannequin – life size dummy of a human body used in shop windows to display clothes – ପୋଷାକ ପ୍ରଦର୍ଶନ ପାଇଁ ଦୋକାନ ଝରକାରେ ବ୍ୟବହୃତ ମାନବ ଶରୀରର ଲାଇଫ୍ ସାଇଜ୍ ଡମି
recurring – ପୁନରାବୃତ୍ତି
disaster – ବିପର୍ଯ୍ୟୟ
gust – gust – ଫୁସ୍ଫୁସ୍
remote – ସୁଦୂର
deliberately – ଜାଣିଶୁଣି
Answer The Following Questions
(ନିମ୍ନଲିଖିତ ପ୍ରଶ୍ନଗୁଡିକର ଉତ୍ତର ଦିଅ)
Question 1.
How old was Gobinda Maharana ? Who were there in his family?
(ଗୋବିନ୍ଦ ମହାରଣାକୁ କେତେ ବର୍ଷ ବୟସ ହୋଇଥିଲା ? ତା’ର ପରିବାରରେ କେଉଁମାନେ ଥିଲେ ?)
Answer:
Gobinda Maharana was sixty-one years old. His family consisted of his wife, three sons, his eldest son’s wife and his two children. In total his family was consisted of eight members.
Question 2.
Was Gobinda happy with his eldest son? How did he spend his day?
(ଗୋବିନ୍ଦ ତା’ର ବଡ଼ପୁଅ ଉପରେ ଖୁସି ଥିଲା କି ? ସେ କିପରି ଦିନ କଟାଉଥିଲା ?)
Answer:
Gobinda was not at all happy with his eldest son. Because that son was very irresponsible and he spent his days fishing idly in the Mahanadi.
Question 3.
List the changes that had come in the designing of the clay figures.
(ମାଟି ମୂର୍ତ୍ତି ତିଆରି ଶୈଳୀରେ କି କି ପରିବର୍ତ୍ତନ ଘଟିଥୁଲା ତା’ର ଏକ ତାଲିକା ପ୍ରସ୍ତୁତ କର ।)
Answer:
The eye catching apparel and the use of luminous paint were the changes that had come in the designing of the clay figures.
Question 4.
Who was Ranju? What was his contribution to Gobinda’s family?
(ରଞ୍ଜୁ କିଏ ମୂଳା ? ଗୋବିନ୍ଦର ପରିବାର ପ୍ରତି ତା’ର କି ଅବଦାନ ଥିଲା ?)
Answer:
Ranju- was the youngest son of Gobinda Maharana, who was thirteen years old. He was the only son who had interested in the ancestral profession of idol-making. He provided his assistance in his father’s work.
Question 5.
Where was the idol placed? Why did Gobinda keep the idol there?
(ପ୍ରତିମା କେଉଁଠାରେ ରଖାଗଲା? ଗୋବିନ୍ଦା କାହିଁକି ପ୍ରତିମାକୁ ସେଠାରେ ରଖିଲେ)
Answer:
The idol was placed very close to the open window only a metre away. Gobinda kept the idol there so that more light would be available for his work and the wet clay would dry up soon.
Question 6.
Why did Ranju request Gobinda to close the window?
(ରଞ୍ଜୁ କାହିଁକି ଗୋବିନ୍ଦକୁ ଝରକାଟିକୁ ବନ୍ଦ କରିଦେବାକୁ ଅନୁରୋଧ କଲା ?)
Answer:
Ranju apprehended that the trunk was breaking for the wind coming through the window. So he requested his father to close the window.
Question 7.
Did Gobinda think that the wind was responsible for the breaking of the trunk?
(ଶୁଣ୍ଢ ଭାଙ୍ଗିବାପାଇଁ ପବନ ଦାୟୀ ବୋଲି ଗୋବିନ୍ଦ ଭାବୁଥୁଲା କି ?)
Answer:
No, Gobinda didn’t think that the wind was responsible for the breaking of the trunk.
Summary: III
Gobinda declared his finality. He proposed his youngest son to watch what was happening that night. He selected a place in the room which was suitable to observe the door, the window and the image at the same time. Ranju agreed upon the plan. That day he had his meal early with his son. Both remained vigilant for the night. They took up their pre-arranged position in the comer of the room. Both awaited for the intruder. He was awake but his son fell asleep.
The silence of the room was suddenly interrupted when Gobinda heard a noise. He was frightened and felt the presence of an intruder in the room. He looked outside through the window. Soon his eyesight discovered a cat crouched near the window and it was ready to jump onto the top of the trunk of Ganesha. His anxiety came to an end with a smile in his face. The cause of the breaking of the trunk was revealed at last.
Notes :
finality – ଅନ୍ତିମତା
watch- ଦେଖନ୍ତୁ |
vigilant – ସଜାଗ
intruder- ଅନୁପ୍ରବେଶକାରୀ
anxiety- ଚିନ୍ତା
interrupt- ବାଧା
ଗୋବିନ୍ଦ ତା’ର ଶେଷ ନିଷ୍ପଭି ଘୋଷଣା କଲା । ସେ ତା’ର ପୁଅକୁ ରାତିରେ କ’ଣ ଘଟୁଛି ଅନୁଧ୍ୟାନ କରିବା ପ୍ରସ୍ତାବ ଦେଲା । ସେ ଘର ମଧ୍ଯରେ ଏକ ଉପଯୁକ୍ତ ସ୍ଥାନ ନିରୂପଣ କଲା ଯେଉଁଠାରୁ ଘରର କବାଟ, ଝରକା ଓ ମୂର୍ତ୍ତିକୁ ଏକ ସଙ୍ଗରେ ଅନୁଧ୍ୟାନ କରିହେବ । ରଞ୍ଜୁ ଏ ପ୍ରସ୍ତାବରେ ଏକମତ ହେଲା । ସେଦିନ ସେମାନେ ଶୀଘ୍ର ଖାଇଦେଲେ । ଉଭୟ ରାତି ପାଇଁ ଜାଗ୍ରତ ରହିଲେ । ସେମାନେ ପୂର୍ବ ନିର୍ଦ୍ଧାରିତ ସ୍ଥାନ ଘର କ’ଣରେ ବସିପଡ଼ିଲେ । ଉଭୟ ଅନାହୂତ ପ୍ରବେଶକାରୀକୁ ଅପେକ୍ଷା କରି ରହିଲେ । ସେ ଜାଗ୍ରତ ଥିଲା ମାତ୍ର ତା’ର ପୁଅ ଶୋଇପଡ଼ିଲା ।
ଗୋବିନ୍ଦ କୌଣସି ଗୋଟିଏ ଶବ୍ଦ ଶୁଣିବା ମାତ୍ରେ ହଠାତ୍ ଘର ଭିତରର ନୀରବତା ବାଧାପ୍ରାପ୍ତ ହେଲା । ସେ ଟିକିଏ ଭୟଭୀତ ହୋଇପଡ଼ିଲା ଓ ଘର ମଧ୍ୟରେ ଅନାହୂତ ପ୍ରବେଶକାରୀର ଉପସ୍ଥିତି ଅନୁଭବ କଲା । ସେ ଝରକା ମଧ୍ୟ ଦେଇ ବାହାରକୁ ଚାହିଁଲା । ହଠାତ୍ ତା’ର ଦୃଷ୍ଟି ଝରକା ପାଖରେ ଲମ୍ବି ଯାଇଥବା ଗୋଟିଏ ବିଲେଇ ଉପରେ ପଡ଼ିଲା ଏବଂ ବିଲେଇଟି ଗଣେଶଙ୍କ ଶୁଣ୍ଢ ଉପରକୁ ଡେଇଁ ପଡ଼ିବାକୁ ପ୍ରସ୍ତୁତ ହେଉଥିଲା । ତା’ ମୁହଁରେ ଚେନାଏ ହସ ସହିତ ତା’ର ଉତ୍କଣ୍ଠାର ପରିସମାପ୍ତି ଘଟିଲା । ଶେଷରେ ହାତୀର ଶୁଣ୍ଢ ଭାଙ୍ଗୁଥିବାର ରହସ୍ୟ ଉନ୍ମୋଚିତ ହେଲା ।
The Text: ପାଠ୍ୟଚିଷୟ
Paragraphwise Analysis
Text- 1
“We’ll sit up tonight, ” he told his son with an air of finality. “That is the only way we will ever learn what’s happening. ”
“Here ?”
“Yes, here. ” Which way would the intruder come? He looked round the room and pointed to a dark comer further away, about three metres from the window. “That would be just the right spot for us to keep watch, unnoticed. You can observe the door, the window and the image at the same time from there. ”
“Right, Father, I suppose it’s the only way for us. ”
So the plan was agreed upon for the night. Gobinda, who usually had his evening meal quite late, decided to have it early, along with his youngest son. The hours passed. A light drizzle came,
which lasted only for a couple of minutes. The night appeared darker to both father and son, the darkness denser as they took up their prearranged positions in the comer of the workroom.
‘‘ଆଜି ରାତିରେ ଆମେ ଏକାଠି ବସିବା,’’ ଗୋବିନ୍ଦ ତା’ର ସାନପୁଅ (ରଞ୍ଜୁ)କୁ ଶେଷ ନିଷ୍ପତ୍ତି ନେବା ଭଙ୍ଗୀରେ କହିଲା । ‘ଏହା ଏକମାତ୍ର ରାସ୍ତା ଯାହାଦ୍ଵାରା କ’ଣ ଘଟୁଛି ଆମେ ଜାଣିପାରିବା ।’’
‘ବାପା, ଏଠାରେ ?’’
‘‘ହଁ, ଏଠାରେ ’’ ଯେଉଁ ବାଟ ଦେଇ ଅନୁପ୍ରବେଶକାରୀ ଆସିବ ? ସେ (ଗୋବିନ୍ଦ) କୋଠରିର ଚାରିଆଡ଼କୁ ଦେଖୁନେଲା ଓ ଝରକାରୁ ପ୍ରାୟ ୩ ମିଟର ଦୂରରେ ଗୋଟିଏ ଅନ୍ଧାରୁଆ କୋଣ ଆଡ଼କୁ ଆଙ୍ଗୁଠି ଦେଖାଇଲା । ‘‘ସେହି ଜାଗା (ଅନ୍ଧାରୁଆ କୋଣ) ଲୁଚିଛପି ବସି ଅନୁପ୍ରବେଶକାରୀ ଉପରେ ନଜର ରଖିବାପାଇଁ ଠିକ୍ ହେବ । ସେଠାରୁ ତୁ ଏକ ସମୟରେ ଦୁଆର, ଝରକା ଓ ମୂର୍ତ୍ତିଟିକୁ ଲକ୍ଷ୍ୟ କରିପାରିବୁ ।’’
‘‘ଠିକ୍ ଅଛି, ବାପା, ମୁଁ ଭାବୁଛି ଏହା ଆମ ପାଇଁ ଏକମାତ୍ର ସମାଧାନର ବାଟ ।’
କରୁଥୁଲା, ଆଜି ନିଜର ସବା ସାନପୁଅ ରଞ୍ଜୁ ସହିତ ଶୀଘ୍ର ଓ ଏକାଠି କରିବାକୁ ସ୍ଥିର କଲା । ଘଣ୍ଟା ଘଣ୍ଟା ବିତିଗଲା । ଏକ ହାଲୁକା କୁଣ୍ଡାଝଡ଼ା ଝିପିଝିପି ବର୍ଷା ଆସିଲା । କିନ୍ତୁ ମାତ୍ର ୨ ମିନିଟ୍ରେ ଛାଡ଼ିଗଲା ।
ବାପା ଓ ପୁଅଙ୍କ ପାଇଁ ରାତି ଆହୁରି ଅନ୍ଧାରୁଆ ହୋଇଗଲା । ଯେତେବେଳେ ଦୁଇ ଜଣ (ଗୋବିନ୍ଦ ଓ ସାନ ପୁଅ ରଞ୍ଜୁ) ଅନ୍ଧାରୁଆ କୋଠରି କୋଣରେ ସେମାନଙ୍କର ପୂର୍ବ ସ୍ଥାନ ଗ୍ରହଣ କରିନେଲେ, ଅନ୍ଧାର କ୍ରମଶଃ ଗାଢ଼ତର ହୋଇ ଆସିଲା ।
Text- 2
At first they found it difficult to distinguish one object from another, but soon the darkness emptied itself. The image of Ganesha stood as they had left it earlier in the afternoon- apparently unperturbed and dominant. Somehow the idol appeared to have grown in size in the dark. Huddled close to his father, Ranju’s initial excitement had given way to a cold weariness as the night progressed. Perhaps the boy should be sent to bed, Gobinda thought. He heard him yawning in the dark.
The workroom remained still and quiet. The air was heavy, as thought bound by invisible ropes to Gobinda’s guilt. Nothing appeared to disturb the silence, a few mosquitoes buzzed about them. Where was the intruder they had imagined? Wasn ‘t it more likely an act of the supernatural? Soon the boy dozed off and slumped to the floor. Gobinda was awake, keen to the sound filtering into the room, his eyes glued to the dark, and to the silence. He put an arm around the boy. Time went by.
Then there was a sound- a soft, distinct sound. The intruder! Gobinda’s heart thudded. His eyes met the unfinished eyes of the idol. His gaze swept across to the open window. There, between two vertical bars, was the unmistakable shape of a cat crouched, ready to jump. Unable to move, he watched the animal lithely leap across and land on top of Ganesha’s trunk. A smile beamed across his exhausted face. He gently began shaking the boy awake.
ଅନୁବାଦ :
ପ୍ରଥମେ ବାପପୁଅ ପକ୍ଷେ କୋଠରିରେ ଥିବା ଜିନିଷଗୁଡ଼ିକୁ ଚିହ୍ନିବା କଷ୍ଟକର ହୋଇପଡ଼ିଲା । କିନ୍ତୁ ଶୀଘ୍ର ଅନ୍ଧାର ଛାଆଁକୁ ଛାଆଁ ହଟିଗଲା । ଅପରାହ୍ନରେ ଗଣେଶ ମୂର୍ତ୍ତି ଯେଉଁଭଳି ସ୍ପଷ୍ଟ ଭାବରେ ଅବିଚଳିତ ଓ ଆକର୍ଷଣୀୟ ଭଙ୍ଗୀରେ ଠିଆ ହୋଇଥିଲା ଏବେ ବି ଠିକ୍ ସେଇଭଳି ଠିଆ ହୋଇ ରହିଥିଲା । କିନ୍ତୁ ଅନ୍ଧାରରେ ମୂର୍ତ୍ତିର ଆକାର ବଢ଼ିଯାଇଥିବା ଭଳି ଜଣାପଡ଼ିଲା ।
ଭୟରେ ବାପାଙ୍କ ପାଖରେ ଜାକି ହୋଇଥିବା ରଞ୍ଜୁର ଆରମ୍ଭରୁ ଥିବା ଆଗ୍ରହ ରାତି ବଢ଼ିବା ସହିତ ଏକ ଶୀତଳ ଓ ଆବେଗପୂର୍ଣ (ଭୟମିଶ୍ରିତ) ବିବ୍ରତତାରେ ପରିଣତ ହୋଇଯାଇଥିଲା । ରଞ୍ଜୁର ଅବସ୍ଥାକୁ ଲକ୍ଷ୍ୟ କରି ଗୋବିନ୍ଦ ଭାବିଲା ପିଲାଟିକୁ ଶୋଇବାକୁ ପଠାଇ ଦେବା ଉଚିତ ହେବ । ରଞ୍ଜୁ ଅନ୍ଧାରରେ ହାଇ ମାରୁଥିବାର ଗୋବିନ୍ଦ ଶୁଣିଲା ।
ମୂର୍ତ୍ତି ତିଆରି ଘର ଗମ୍ଭୀର ଓ ନୀରବ ଥିଲା । ପବନ କ୍ଷିପ୍ର ଥିଲା । କୋଠରିର ନୀରବତାକୁ ବ୍ୟାଘାତ କରିବାପାଇଁ କିଛି ଦୃଶ୍ୟମାନ ହେଲା ନାହିଁ, କେବଳ ଅଳ୍ପ କେତୋଟି ମଶା ସେମାନଙ୍କ ଚାରିପଟେ ଗୁଣୁଗୁଣୁ ହେଉଥିଲେ । ସେମାନେ ଚିନ୍ତା କରିଥିବା ଅନୁପ୍ରବେଶକାରୀ ତା’ହେଲେ ଗଲା କୁଆଡ଼େ ? ତା’ ମାନେ ଏହା କ’ଣ ଅଲୌକିକ ଶକ୍ତିର ଏକ ସମ୍ଭାବ୍ୟ କାର୍ଯ୍ୟ ନ ଥିଲା ?
ଶୀଘ୍ର ସାନପୁଅ ରଞ୍ଜୁ ଶୋଇପଡ଼ିଲା ଓ ଚଟାଣ ଉପରେ ଢଳିପଡ଼ିଲା । କୋଠରି ଭିତରକୁ ପ୍ରବେଶ କରୁଥିବା ଶବ୍ଦକୁ କେବଳ ଜାଣିବାପାଇଁ ଏହି ଉତ୍କଣ୍ଠାରେ ଗୋବିନ୍ଦ ଚେଇଁ ରହିଲା । ତାହାର ଆଖୁଦୁଇଟି ଅନ୍ଧାରରେ ଓ ନିସ୍ତବ୍ଧତାରେ ସତେ ଯେପରି ଲାଖ୍ ରହିଲା । ପୁଅ ରଞ୍ଜୁ ଉପରେ ସେ ନିଜ ବାହୁଟିକୁ ପକାଇଲା । ସମୟ ବିତି ଚାଲିଲା ।
ତା’ପରେ ଗୋବିନ୍ଦ ଶୁଣିବାକୁ ପାଇଲା – ଗୋଟିଏ ନରମ ଓ ସ୍ପଷ୍ଟ ଶବ୍ଦ । ତା’ହେଲେ ଏ କ’ଣ ଘରକୁ ପଶି ଆସିଥିବା ଏକ ଅଜଣା ଲୋକ (ଅନୁପ୍ରବେଶକାରୀ) ! ଗୋବିନ୍ଦର ଛାତି ଧଡ଼ପଡ଼ ହେଲା । ମୂର୍ତ୍ତିର ଅସମ୍ପୂର୍ଣ୍ଣ ଆଖ୍ ସହିତ ତା’ର ଆଖୁ ଏକାକାର ହୋଇଗଲା । ତାହାର ସ୍ଥିର ଦୃଷ୍ଟି ଖୋଲା ଝରକା ଆଡ଼କୁ ହଠାତ୍ ଘୂରିଗଲା । ସେଠାରେ ଦୁଇଟି ତିର୍ଯ୍ୟକ ଲୁହାଦଣ୍ଡ ଭିତରେ ଡେଇଁବାକୁ ଉଦ୍ୟତ ହେଉଥିବା ଏକ ଜାକିଜୁକି ହୋଇ ଶୋଇଥବା ବିଲେଇର ତ୍ରୁଟିହୀନ ଆକୃତି ଉପରେ ଗୋବିନ୍ଦର ଆଖ୍ ପଡ଼ିଲା । ଆଗକୁ ଗତି କଲା । ଗୋବିନ୍ଦର କ୍ଳାନ୍ତ ଓ ଅବସାଦ ମୁହଁରେ ଏକ ହାସ୍ୟରେଖା ଖେଳିଗଲା । ସେ ଧୀରେ ଧୀରେ ପୁଅ ରଞ୍ଜୁକୁ ଉଠାଇବାପାଇଁ ତାକୁ ହଲାଇବାକୁ ଲାଗିଲା ।
Notes And Glossary: ନନ୍ସ ଏବଂ ଗ୍ଲୋସାରି:
finality – ଅନ୍ତିମତା
intruder – person who intrudes – ଅନୁପ୍ରବେଶକାରୀ
unnoticed – not noticed – ଅଜ୍ଞାତ
drizzle – rainfall in fine drops – ଭଲ ବୁନ୍ଦା
denser – ଘନ
prearranged – arranged before – ପୂର୍ବରୁ ବ୍ୟବହୃତ
distinguish – point out a difference between – ମଧ୍ୟରେ ଏକ ପାର୍ଥକ୍ୟ ଦର୍ଶାନ୍ତୁ
emptied – past tense of empty – ଅତୀତର ଖାଲି ସମୟ
apparently – visible – ଦୃଶ୍ୟମାନ
unperturbed – not perturbed – ବିଚଳିତ ନୁହେଁ
dominant – dominating – ପ୍ରାଧାନ୍ୟ
huddled – past tense of huddle – ଅତୀତର କାଳ
initial – at the beginning – ସର୍ବପ୍ରଥମରୁ
excitement -ଉତ୍ସାହ
weariness – tired – କ୍ଳାନ୍ତି
yawning – ୟଙ୍ଗନ
invisible – not visible – ଦୃଶ୍ୟମାନ ନୁହେଁ
guilt – ଦୋଷ
buzzed – humming sound – ଗୁଜବ
dozed off – asleep – ଶୋଇଛି
slumped – ଖସିଗଲା
filtering – make way gradually through – ଧୀରେ ଧୀରେ ଗତି କର
glued – ଗ୍ଲୁଡ୍
distinct – separate – ଅଲଗା
thudded – ଥୁଡେଡ୍
gaze – fixed look – ସ୍ଥିର ଲୁକ୍
vertical bar – distinct shape – ଭିନ୍ନ ଆକୃତି
unmistakable shape – ଅବିସ୍ମରଣୀୟ ଆକୃତି
crouch – କ୍ରୁଚ୍
lithely – ଲିଥେଲି
leap – jump – ଲମ୍ଫ
beamed – shined – ଉଜ୍ଜ୍ୱଳ
exhausted – କ୍ଳାନ୍ତ
shake – ହଲେଇବା
awake – ଜାଗ୍ରତ
Answer The Following Questions
( ନିମ୍ନଲିଖିତ ପ୍ରଶ୍ନଗୁଡିକର ଉତ୍ତର ଦିଅ )
Question 1.
Why did Gobinda tell his son to sit in the workroom?
(ଗୋବିନ୍ଦ କାହିଁକି ତା’ର ପୁଅକୁ କର୍ମଶାଳାରେ ବସିବାକୁ କହିଲେ ?)
Answer:
Gobinda told his son to sit in the workroom to know the cause how the trunk was breaking.
Question 2.
Why did he choose that particular place to sit?
(ସେ କାହିଁକି ବସିବାକୁ ସେହି ନିର୍ଦ୍ଦିଷ୍ଟ ସ୍ଥାନଟିକୁ ବାଛିଲା ?)
Answer:
He chose that particular place to sit because from there he could observe the door, the window and the image at the same time.
Question 3.
Was Ranju awake all through the night?
(ରଞ୍ଜୁ ରାତିସାରା ଜାଗ୍ରତ|ଉଜାଗର ଥିଲା କି ?)
Answer:
Ranju wasn’t awake all through the night because he dozed off and then layed to the ground in the night.
Question 4.
What was Gobinda thinking in darkness?
(ଗୋବିନ୍ଦ ଅନ୍ଧକାରରେ କ’ଣ ଭାବୁଥିଲା ?)
Answer:
Gobinda was thinking of the intruder in darkness.
Question 5.
Who was the intruder? How was it coming into the room?
(ଅନୁପ୍ରବେଶକାରୀ କିଏ ଥୁଲା ? ସେ କୋଠରି ଭିତରକୁ କିପରି ଆସୁଥୁଲା ?)
Answer:
A cat was the intruder. It was coming into the room through the open window.
Question 6.
Why did Gobinda Maharana smile at the end?
(ଶେଷରେ ଗୋବିନ୍ଦ ମହାରଣା ହସିଲେ କାହିଁକି ?)
Answer:
Gobinda’s eagerness to find the intruder came to an end when he found a cat, ready to jump onto Ganesha’s trunk. So he smiled at the end knowing that the cat was the real intruder.
Let’s Write : ଲେଖିବା:
Answer the following questions in about 50 words each.
ପ୍ରତ୍ୟେକଟି ପ୍ରାୟ 50 ଶବ୍ଦରେ ନିମ୍ନଲିଖିତ ପ୍ରଶ୍ନର ଉତ୍ତର ଦିଅ |
Question 1.
Why was Gobinda Maharana worried? What thought came to his mind?
(ଗୋବିନ୍ଦ ମହାରଣା କାହିଁକି ବିବ୍ରତ ହୋଇପଡ଼ିଲା ? କେଉଁ ଭାବନା ତା’ ମୁଣ୍ଡକୁ ଆସିଲା ?)
Answer:
Gobinda Maharana was an excellent and popular idol maker of his area. Once he was worried for the breaking of the trunk of Ganesha image repeatedly. He thought that he had no right to interfere in the private lives of gods. He imagined that gods’ anger resulted in breaking of the trunk, every night. He was overcome by sup
Question 2.
What were Sulochana’s reaction to the breaking of the trunk?
(ଶୁଣ୍ଢ ଭାଙ୍ଗିବା ବିଷୟରେ ସୁଲୋଚନାର ପ୍ରତିକ୍ରିୟା କ’ଣ ଥିଲା ?)
Answer:
Sulochana was a very innocent and simple lady. She came to know that her husband was much worried for the breaking of the trunk of Ganesha. She heard everything from her husband. She reacted it otherwise. She thought that perhaps her husband had grown old and his hands and eyesight were not strong enough to make the idols perfectly. As a result it was breaking. An unknown fear engulfed her.
Question 3.
Why was she proud of her husband? How did she value her husband’s work?
(ସେ କାହିଁକି ତା’ର ସ୍ୱାମୀକୁ ନେଇ ଗର୍ବିତ ଥିଲା ? ସେ କିପରି ତା’ର ସ୍ୱାମୀର କାମର ମୂଲ୍ୟାୟନ କରୁଥିଲା ?)
Answer:
Sulochana was proud of her husband, Gobinda, because she knew that her husband was one of the best idol makers in that area. She knew well that he was unbeatable in his profession. She never suspected his work. She had heard the townsfolk’s admiration for his husband. But she nursed her pride in secret.
Question 4.
Was Gobinda Maharana superstitious? What proof do you get from the story?
(ଗୋବିନ୍ଦ ମହାରଣା ଅନ୍ଧବିଶ୍ଵାସୀ ଥିଲା କି ? ଗଳ୍ପଟିରୁ ତୁମେ କି ପ୍ରମାଣ ପାଉଛ ?)
Answer:
Undoubtedly Gobinda Maharana was superstitious. He was subdued by it, and was worried about the breaking of the trunk of Ganesha. Various kinds of thought arose in him. First of all he thought that he had committed a mistake by interfening in the private lives of gods. He apprehended that it so happened due to gods’ anger.
Question 5.
Who helped Gobinda in repairing the trunk? How did they differ in their point of view regarding the breaking of the trunk?
(ଶୁଣ୍ଢଟିକୁ ମରାମତ କରିବାପାଇଁ କିଏ ଗୋବିନ୍ଦକୁ ସହାୟତା କରିଥିଲା ? ଶୁଣ୍ଢ ଭାଙ୍ଗିବା ଉପରେ ସେମାନଙ୍କ ମତାମତ ଦୃଷ୍ଟିରୁ ସେମାନେ କିପରି ଭିନ୍ନ ଥିଲେ ?)
Answer:
Gobinda’s youngest son Ranju helped him in preparing the trunk. Gobinda mended the trunk with a fresh mass of clay, prepared by Ranju. But they differed in their point of view regarding the breaking of the trunk. Gobinda thought it to be the action of supernatural being whereas his son thought it to be the effect of the wind coming through the window. He wanted the window to be closed. But Gobinda was not at all convinced by his son’s view.
Question 6.
Gobinda Maharana thought of many reasons for the broken trunk. What are they?
(ଭଙ୍ଗା ଶୁଣ୍ଢ ପାଇଁ ଗୋବିନ୍ଦ ମହାରଣା ଅନେକ କାରଣ ଚିନ୍ତା କରିଥିଲା । ସେଗୁଡ଼ିକ କ’ଣ ?)
Answer:
Being subdued by superstition Gobinda thought of many reasons for the broken trunk. First of all he viewed that his interference in the private lives of gods had made them angry. He thought that there was some supernatural power playing the trick in the mysterious breaking of the trunk. He also thought himself responsible for the breaking of the trunk as he had claimed unreasonable price for the image.
Question 7.
How did Gobinda solve the mystery? What did he find?
(ଗୋବିନ୍ଦ କିପରି ସେହି ରହସ୍ୟର ସମାଧାନ କଲା ? ସେ କ’ଣ ପାଇଲା ?)
Or,
How was the mystery regarding the breaking of the trunk of Lord Ganesha revealed at last?
(ଶେଷରେ ପ୍ରଭୁ ଗଣେଶଙ୍କ ଶୁଣ୍ଢ ଭାଙ୍ଗିଯିବା ସମ୍ବନ୍ଧୀୟ ରହସ୍ୟର ଉନ୍ମୋଚନ କିପରି ହେଲା ?
Answer:
The mysterious breaking of the trunk of Ganesha tormented Gobinda Maharana. He thought of many reasons for it. At last he along with his youngest son decided to remain vigilant for that night to discover the mystery. The image was placed near the window. At the dead of the night, to his utter surprise he found a cat ready to jump onto the top of Ganesha’s trunk. He came to know that the little cat was the real intruder. Thus the mystery regarding the breaking of the trunk was revealed at last.
Activity: କାର୍ଯ୍ୟ:
Question 1.
Discuss how the superstitions created problems in Gobinda Maharana’s life?
(ଅନ୍ଧବିଶ୍ବାସ କିପରି ଗୋବିନ୍ଦ ମହାରଣା ଜୀବନରେ ସମସ୍ୟାମାନ ସୃଷ୍ଟି କରିଥିଲା ଆଲୋଚନା କର ।)
Answer:
Gobinda Maharana was an illiterate and poor man. But he was an expert idol maker in his locality. Once the trunk of Lord Ganesha which he made broke time and again. He was worried for the mysterious breaking of the trunk. A number of suspicious facts arose in his mind. He was overcome by superstitions. He made himself responsible for the breaking of the trunk for he had claimed more money for the image. He thought that the god’s anger was the cause of breaking of the trunk. Even his family life was disturbed. He told everything to his wife, Sulochana. At last he apprehended the interference of any supernatural power. In this way superstitions created problems in his life.
Question 2.
The traditional art of idol-making is dying. Discuss in the class and note down the reasons for the near extinction of this art.
(ପୁରାତନ ମୂର୍ତ୍ତି ତିଆରି କଳା ଲୋପ ପାଉଛି । ଏହି କଳା ରିଲୋପର କାରଣସବୁ ଶ୍ରେଣୀରେ ଆଲୋଚନା କର ଓ ଲେଖୁ ରଖ ।)
Answer:
The traditional art of idol-making is dying. It is a fact. The extinction of this art in near future is clearly seen. There are various reasons responsible for this. The artisans are not properly paid for it. So they are discouraged. They are not taking interest to continue this art. Secondly, the demand for the idols is decreasing at an unexpected rate. Thirdly the encouragement of the government for the restoration of the art is not satisfactory. These are the reasons for the near extinction of this art.
BSE Odisha 9th Class English The Trunk of Ganesh Important Questions and Answers
Answer The Following In A Sentence:
Question 1.
Why was Sulochana proud of her husband?
Answer:
Sulochana felt proud of her husband because he was one of the best image makers in the area.
Question 2.
What were Sulochana’s reaction to the A breaking of the trunk?
Answer:
When Sulochana came to know about the breaking of the trunk of Ganesha, she looked at her husband with frightened eyes.
Question 3.
Who was Gobinda Maharana ?
Answer:
Gobinda Maharana was a renowned idol maker.
Question 4.
Why was Gobinda Maharana worried?
Answer:
Gobinda Maharana was very much worried for the breaking of the trunk of a particular Ganesha image time and again.
Question 5.
Who helped Gobinda in repairing the trunk?
Answer:
Ranju, Gobinda’s youngest son helped him in repairing the trunk.
Question 6.
Gobinda Maharana thought of many reasons for the broken trunk. What are they?
Answer:
Being subdued by superstition, Gobinda thought of many reasons for the broken trunk. He viewed that his interference in the private lives of gods had made them angry.
Question 7.
How did Gobinda solve the mystery?
Answer:
Gobinda found that the trunk of a particular Ganesha image was breaking every night’
Question 8.
How was Gobinda Moharana?
Answer:
Gobinda Moharana was unbeatable and unchallengeable artisan in his profession.
Question 9.
What did Sulochana think of her husband?
Answer:
Sulochana thought that her husband might be right.
Answer The Following In A Word Or A Phrase:
Question 1.
What created problems in Gobinda Maharana’s life?
Answer:
superstitions
Question 2.
What kept Gobinda Moharana bothering?
Answer:
an unhappy incident
Question 3.
What was Gobinda Moharana’s first conscious knowledge of fear?
Answer:
slipping down of the glass
Question 4.
What haunted Gobinda throughout his life?
Answer:
superstitions
Question 5.
“He was one of the few excellent craftsmen left.” Who often says this?
Answer:
town’s folk
Question 6.
Who had turned out to be an irresponsible drifter?
Answer:
Gobinda’s first son
Question 7.
Who showed promise of taking up the ancestral profession?
Answer:
Gobinda’s youngest son
Question 8.
“There it happened again,” Who said this?
Answer:
Gobinda’s youngest son
Question 9.
What had started appearing at several places where the clay had dried?
Answer:
cracks
Question 10.
Who interrupted Gobinda when he was mending the broken trunk?
Answer:
Ranju
Question 11.
“We’ll sit up tonight,” Who told this?
Answer:
Gobinda
Fill In The Blanks:
1. Gobinda had learnt the trade from his _______.
Answer:
father
2. Gobinda learnt the art of idol-making such as the Durgas, the Ganeshas and _______.
Answer:
the Sivas
3. Gobinda considered himself that he has no right to meddle with the private lives of ________.
Answer:
Gods
4. According to the Gobinda Maharana he has been update, using his powers _______.
Answer:
carelessly
5. Sulochana looked at her husband with _________ eyes.
Answer:
frightened
6. Her words betraying her simplicity. Here ‘her’ refers to _________.
Answer:
Sulochana
7. Making an image was ________ Gobinda.
Answer:
child’s play
8. The trunk which was breaking regularly was somewhat larger, a little heavier and a _________.
Answer:
trifle longer
9. The clay he had been using was just the measure short of its _________.
Answer:
adhesive quality
10. Gobinda used the same clay for years for _________.
Answer:
innumerable images
11. Sulochana knew that her husband was one of the best ___________ in the whole valley.
Answer:
image makers
12. It was hard to find ________ than Gobinda’s!
Answer:
better work
13. Sulochana nursed pride for her husband in ________.
Answer:
Secret
14. Sulochana in her voice hammered at her because her husband had asked for a _________.
Answer:
better price
15. Sulochana had convinced that her husband was a _________ man.
Answer:
righteous
16. According to Sulochana Gobinda’s seeming greed had angered the _________.
Answer:
Unknown
17. Gobinda Moharana was _________ years old.
Answer:
sixty-one
18. Gobinda’s elder son spent his days away from the house fishing idly for _________.
Answer:
shrimp and carp
19. The second son had been taken in as a/an _________ in a paper mill.
Answer:
apprentice
20. Gobinda’s youngest son was _________ years old.
Answer:
thirteen
21. Gobinda concluded that there was an element of the _________ in the mysterious breaking of the image.
Answer:
supernatural
22. These days Gobinda was using _________ paints.
Answer:
luminous
23. Gobinda had endowed the Goddesses with __________bodies.
Answer:
slim and curved
Multiple Choice Questions With Answers :
Question 1.
In the story “The Trunk of Ganesha” the real intruder was a _______.
(A) ghost
(B) cat
(C) thief
(D) dog
Answer:
(B) cat
Question 2.
After hearing a soft, distinct sound, Gobinda’s heart ______.
(A) broken
(B) thudded
(C) beat faster
(D) hammered
Answer:
(B) thudded
Question 3.
Unable to move, Gobinda watched the animal __________.
(A) slowly
(B) lithely
(C) very lithely
(D) carefully
Answer:
(B) lithely
Question 3.
The story “The Trunk of Ganesha” is about ___________.
(A) slowly
(B) lithely
(C) very lithely
(D) carefully
Answer:
(B) lithely
Question 4.
The story “The Trunk of Ganesha” is about _________.
(A) mystery
(B) superstition
(C) bravery
(D) blind belief
Answer:
(B) superstition
Question 5.
What haunted Gobinda throughout his life?
(A) superstition
(B) blind belief
(C) poverty
(D) suffering
Answer:
(A) superstition
Question 6.
Gobinda had learnt the trade from his _______.
(A) father
(B) grandfather
(C) neighbour
(D) brother
Answer:
(A) father
Question 7.
According to the Gobinda Maharana he has been update, using his powers too ________.
(A) carefully
(B) carelessly
(C) casually
(D) sincerely
Answer:
(B) carelessly
Question 8.
Sulochana looked at her husband with __________ eyes.
(A) suspected
(B) frightened
(C) tearful
(D) sorrowful
Answer:
(B) frightened
Question 9.
It was hard to find ________ than Gobinda’s!
(A) good work
(B) better work
(C) fine work
(D) good deed
Answer:
(B) better work
Question 10.
Sulochana had convinced that her husband was a ________ man.
(A) perfect
(B) righteous
(C) innocent
(D) imperfect
Answer:
(B) righteous
Question 11.
Gobinda Moharana was ________
(A) sixty
(B) sixty-three
(C) sixty-two
(D) sixty-one
Answer:
(B) sixty-three
Question 12.
The second son had been taken in as a/an ________ in a paper mill.
(A) labour
(B) engineer
(C) apprentice
(D) image maker
Answer:
(C) apprentice
Question 13.
Gobinda’s youngest son was ________ old.
(A) fifteen
(B) twenty
(C) thirteen
(D) seventeen
Answer:
(C) thirteen
Question 14.
Gobinda concluded that there was an element of the ________ in the mysterious breaking of the image.
(A) supernatural
(B) natural
(C) blind belief
(D) imaginary
Answer:
(A) supernatural
Question 15.
These days Gobinda was using __________ paints.
(A) oil
(B) luminous
(C) attractive
(D) shining
Answer:
(B) luminous